About Eimear McNally
Eimear McNally is an Artist, Visual facilitator, Graphic Harvester, Illustrator and Trainer. She has worked extensively with NGO's and particularly within the field of Development Education and Sustainability. She has also worked with universities and private companies. Eimear McNally has been drawing large-scale live recordings of conferences, events and meetings as a way to create lasting memories of these events. For her its not just about pretty pictures.
http://www.eimearmcnally.com/
About Susanne Bosch
Susanne Bosch is an artist in the socially engaged field since 20 years. She holds a PHD in this field and facilitates processes of transformation in diverse settings. Knowing the roles of hosting a seemingly chaotic creative process and often being a guest herself in unknown, international, culturally diverse settings in many different ways, makes this an ongoing field of exploration for her. www.susannebosch.de
About Declan Sheridan
Declan Sheridan is a lecturer in Film & Documentary with experience on Development Education Programmes in Tanzania and Ireland. Declan is passionate about global citizenship and uses creative practices to bring more non formal and experiential learning techniques into his own practice as an educator, while challenging and engaging others to examine what it is to be an active global citizen.
About Sheelagh Broderick
Sheelagh Broderick is an artist and a researcher. She develops her practice through processes of immersive social engagement. She has a particular interest in how institutions intersect with other institutions and communities.
About Declan McGonagle
Declan McGonagle was the first Curator of Orchard Gallery [Derry] and then Director of a series of national art institutions, including the Institute of Contemporary Arts [London], Irish Museum of Modern Art (IMMA) and National College of Art & Design [Dublin]. He has served on national and international advisory panels and is a contributing Editor of Artforum [New York]. He argues for a resetting of relations between art, citizens and the State through his writing and curatorial practice
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